Wednesday 2 December 2009

Notes on 'Beauty and Ideas'

Please read my previous post, and watch the Youtube video if you are not familiar with the sketch 'Beauty and Ideas' by Stephen Fry and Hugh Laurie.

For my assignment, I must analyse the sketch using only TWO of the following: Phonetics/Phonology, Syntax or Semantics and I'm not sure which pair would produce the most interesting essay. Here are my notes on each one, I'd appreciate any comments on what you think I should do or anything interesting you have noticed in the sketch.



Phonetics/Phonology

  • Structure of nonsense words such as ‘tish’, ‘vibble’, ‘lovelet’, – compare ‘tish’ to ‘hush’ - these follow the English phonetic system in that they use only combinations of sounds permissable in English - how is it that we can imagine a 'sense' for these words having never heard them before?
  • Occasional usage of full forms where a weak form would be more typical in connected speech - Fry uses this to enhance his 'academic' character
  • Alliteration ‘explain, expound and exposit’, ‘colours and contains’ ‘find…mind’ ‘beauty duty’
  • Alliteration of nasals ‘tumble, emolument…smitten, plenum’
  • Stress placed in unusual places i.e 'extrinsic, extrinsic'
  • Odd tone / speed of delivery: Intonation.

Syntax

  • Morphology of novel coins such as ‘correctington’, ‘lovelet’, - for example, it is obvious 'lovelet' is a term of endearment because it is composed of the noun 'love' plus suffix 'let' which signals a diminutive as in 'piglet' (small/young pig)
  • Examples of all major sentence types including more unusual such as:
    • Vocative: ‘hold that for me Jefferey would you’
    • Coordination at sentence part level – i.e. verb coordination ‘expand and exposit’
    • Relative clause: ‘a tool that we use to dig up the beauty that surrounds us’
    • Wh-question: ‘where is it?’
    • Extraposition: ‘I think it was Karl Kraus’ (?) - not sure if this really is extraposition!

  • • Very complex sentences ‘you contain a property of beauty therefore the substance of which you exhibit a property must exist’ •
  • Parallel structures ‘the idea of beauty and the beauty of ideas’ •
  • Verbless sentence ‘Noel, as you so rightly, Harrison’ - 'say' is omitted here - to what effect?
  • • Contrast of Fry’s long complex utterances with Laurie’s much shorter simple sentences ‘I’m going to hold a thought now’, ‘we’ve made a return to language’- this is definitely a comic device as the juxtaposition makes Laurie's replies all the more incongruous

Semantics
  • Usage of several sets of synonyms explain+expound/expand+exposit - what kind of relationship are these in? Are they synonyms, or do the different subtle meanings add something?
  • (syntax or semantics?) Use of simile and metaphor – ‘language is a tool’, ‘the bows of my imaginings’, ‘wheel on wheel like the circles that we find in the windmills of our mind’ unusual semantic links –
  • Words presented as synonymous, or at least related, such as:‘the gulf the chasm the dividing line’‘a pattern a template a paradigm an ideal an idea’‘pursues, harries, hounds’ - because these sometimes ARE synonymous, and sometimes are not, the incongruity of some of the combinations leads to humour • use of unusual and archaic language: paradigm, plenitude, bade, plenum, emolument - By the way, the meanings of these words are as follows:

plenum – area full of heated or cooled air

emolument – earnings, pay, compensation

paradigm – in grammar – a set of inflected forms, in common usage – an example serving as a model

plenitude – fullness or adequacy in quantity, measure, or degree; abundance: a plenitude of food, air, and sunlight, the state of being full or complete



Your comments/criticisms/input would be greatly appreciated